 |
|
|
| bill saylor |
| |
EDUCATION
SOLO EXHIBITIONS
SELECTED GROUP EXHIBITIONS
BIBLIOGRAPHY
EDUCATION
top
BFA, California State University, Long Beach, CA
Santa Barbara City College, CA
Lives and works in NYC
SOLO EXHIBITIONS
top
2003
“Softail Project,” Leo Koenig Inc., NYC
2002
“Espontaneo,” Spokane Falls College, Spokane,
WA
2001
“Why Go Anywhere?,” Leo Koenig Inc., NYC
Selected
SELECTED GROUP EXHIBITIONS
top
2006
two person show, Hiromi Yoshii Gallery,Tokyo japan, Nov.
2005
Nada art fair Miami, Florida
"
Monster Painting," McClain Gallery, Houston,
TX
"kults, Werewolves and Sarcastic Hippies" Yerba
Buena Art Center,
San Francisco, CA
Hiromi Yoshi Gallery, Tokyo, Japan
“New
York’s Finest,” CANADA Gallery,
NYC
“Hope Auction for Amina Tastini,” Passerby,
NYC
2004
K48 Launch auction, Agnes B Store, Soho, NYC
“Contemporary
Painters; works by Elizabeth Peyton, Cecily Brown, Laura
Owens, Peter Doig, Merlyn James, Bill Saylor, Richard Bosman, and Maureen Cavanaugh”,
Colby College Museum of Art, curated by Alex Katz, Waterville, ME (catalogue)
“So
Little Time, so Many Mistakes,” curated by Josh Smith, Champion
Fine Art, Brooklyn, NY
“Stop & Store”, Luxe Gallery, NYC
2003
"Age of Unreason,” M.O.C.A.D.C., Washington
DC
2002
“ Proper Villians,” curated by David Hunt,
Untitled Space, New Haven,
CT
Leo Koenig Las Vegas, Neonopolis, Las Vegas, NV
2001
“Strictly Painting 2,” Voges & Deisen,
Frankfurt
Bareikis, Giehler, Saylor, Eleni Koroneou Gallery, Athens
“Come
on Feel the Noise,” Asbaek Gallery,
Copenhagen
“Escape Velocity,” Miller Durazo Gallery,
Los Angeles
“Burglar,” curated by Elizabeth Balogh, Spencer
Brownstone Gallery,
NYC
Leo Koenig, Inc., Brooklyn NY
“You
Are Now Leaving the Goldie-Locks Zone,” M.O.C.A.,
D.C., Washington,
DC
“Machine Gun Etiquette,” Spencer Brownstone
Gallery, NYC
“Pets,” Bronwyn Keenan Gallery, NYC
“Solar
Perplexus,” Spanish Kitchen, Los Angeles,
CA
Gramercy Art Fair, Miami, FL
1996
“ X-Mess,” The American Gallery, Los Angeles,
CA
1995
“ Taking Stock,” curated by Kenny Schachter,
The Exchange Building,
NYC
1993
“ Phone,” Dooley La Cappelane Gallery, NYC
1992
“ The Real Thing,” curated by Erik Oppenheim,
NYC
1991
” Unlearning,” curated by Kenny Schachter, 142 Greene Street “Giftshop,” Dooley
La Cappellane Gallery, NYC
BIBLIOGRAPHY
top
2005
Smith, Roberta, “New York’s Finest,” New
York Times, Friday, February 11,
K48, “K48 is an Animal,” ( journal), January
2004
Keyes, Bob, “Alex Katz has Colby Covered”,
Portland Press Herald, July 18
2003
Rankin, Lisi, Bill Saylor, Frieze Magazine, November-December,
p. 97
Levin, Kim, Voice Choices, The Village Voice, July 9-16,
p 87
Johnson, Ken,”Art Review,” The New York
Times, Art and Leisure, July 4, p.E30
Inguit, Chris The G.W. Hatchett, George Washington University,
April 24
Pearson, Jesse, “Bad Ass Trip,” Vice Magazine,
v10N3, p. 46
“ The Dollar Project,” curated by Mark Sanders,
Emma Reeves and Neville Wakefield, Another Magazine, spring,
summer, p. 19
Korotkin, Joyce, “Proper Villians,” New
York Arts Magazine, November
Boggs, Sherri, “Spontaneous Combustion,” The
Pacific Northwest Inlander, September 19-25 p. 36
Twardy, Chuck, “Downtown Imports,” Las
Vegas Weekly, May 30
2001
Cotter, Holland, New York Times, Arts and Leisure Weekend,
Galleries, Friday, April 20, p. E33
Levin, Kim, Voice choices, p., 103
Moser, Tanja, Munich TZ, “Der Koenig von New York,” April
15
Zeits, Lisa, Frankfurt Allgemeine Zeitung, Kunstmarkt,
April 8
Moser, Tanja, Munich Merkur,”Der Koenig von New
York,” April 11
1999
The Georgetowner, “MOCA: cutting Edge,” vol.
46, No. 1, September 30
Pizarro, Max, the Georgetown Current, “Georgetown
gallery finds itself in a zone,” vol. IX, No.
4, September 8
Cosmic Visions, Spacewatch.com, September-October New
York Contemporary Art Report, “Machine Gun Etiquette,” Summer
Issue
Frank, Peter, “ Art Pick of the Week,” Solar
Perplexus, L.A. Weekly, May 15
1997
Novak, Sam, “Kenny Shachter Interview,” Coagula,
April
|
|
|
